https://learasovszky.fun Lea Rasovszky Thu, 04 Jun 2026 09:38:15 +0000 https://learasovszky.fun en https://learasovszky.fun/splash Sat, 13 Jan 2018 06:18:39 +0000 Lea Rasovszky https://learasovszky.fun/splash LEA RASOVSZKY https://learasovszky.fun/Index Sun, 15 Oct 2017 11:37:00 +0000 Lea Rasovszky https://learasovszky.fun/Index https://learasovszky.fun/Home Sun, 15 Oct 2017 11:36:53 +0000 Lea Rasovszky https://learasovszky.fun/Home https://learasovszky.fun/Anxi Thu, 04 Jun 2026 08:13:49 +0000 Lea Rasovszky https://learasovszky.fun/Anxi Anxi &amp; :(2025 - 2026,&nbsp; ceramic, installation, text <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1dce683ae9797f0057b334cd9f99848d50f0a8eaadac46ac6c9913e4c4bbbaaa/Anxi-Sad-2.jpeg" data-mid="249108069" border="0" src="https://freight.cargo.site/w/1000/i/1dce683ae9797f0057b334cd9f99848d50f0a8eaadac46ac6c9913e4c4bbbaaa/Anxi-Sad-2.jpeg" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/f22345350c376dc6539717177d34e79ba9375011fc7e6f05df472b029f4a6718/Anxi-Sad-3.jpeg" data-mid="249108070" border="0" src="https://freight.cargo.site/w/1000/i/f22345350c376dc6539717177d34e79ba9375011fc7e6f05df472b029f4a6718/Anxi-Sad-3.jpeg" /> <img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/e63399354b480bea3e83525f083b82e01646db1683290dc6c9c60b73d91c7868/Anxi-Sad-4.jpeg" data-mid="249108071" border="0" src="https://freight.cargo.site/w/1000/i/e63399354b480bea3e83525f083b82e01646db1683290dc6c9c60b73d91c7868/Anxi-Sad-4.jpeg" /> <img width="1430" height="1800" width_o="1430" height_o="1800" data-src="https://freight.cargo.site/t/original/i/441bd81918f645d0c4b85c7cfbad6f443508370969976369006dd6376a2cf8b4/Anxi-Sad-1.jpeg" data-mid="249108068" border="0" src="https://freight.cargo.site/w/1000/i/441bd81918f645d0c4b85c7cfbad6f443508370969976369006dd6376a2cf8b4/Anxi-Sad-1.jpeg" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d53f501cbc776a3df039d4562b6b4f0f00d01724cb9bd4966670fe4b331fca11/Anxi-Sad-5.jpeg" data-mid="249108067" border="0" src="https://freight.cargo.site/w/1000/i/d53f501cbc776a3df039d4562b6b4f0f00d01724cb9bd4966670fe4b331fca11/Anxi-Sad-5.jpeg" /> Anxi &amp; :( part of Rana, Golul si Angoasa (RGB)12.12.2025 - 10.03.2026Calciu Space, Bucharest A few bleak thoughts about where I’m from: Here in this little country, I keep witnessing—as an observer of all those social phenomena that defy definitions—moments when normality, progress, real solutions seem just one step away. And then, suddenly, everything swerves either toward brutal capitalism, sleek and polished yet empty at its core, or toward the wretched paralysis of a many-headed organism whose stated mission is the collective good, but which suffers from chronic anemia and cannot absorb anything nourishing, so it simply pisses everything back out. It's like wanting to buy a lottery ticket, having the money ready in your hand, only to discover the lottery kiosk has burned to the ground. A fruit that never reaches ripeness; all the effort of blossoming somehow wasted. I find myself unable to grow attached, and it's strange to admit that, because this is the only place I've ever lived, the only place I've ever called home. —Lea Rasovszky, 2025 https://learasovszky.fun/Nectar-Blood-Diamond-Skin Thu, 04 Jun 2026 09:38:15 +0000 Lea Rasovszky https://learasovszky.fun/Nectar-Blood-Diamond-Skin Nectar Blood, Diamond Skin2025,&nbsp; ceramic, installation <img width="2667" height="1778" width_o="2667" height_o="1778" data-src="https://freight.cargo.site/t/original/i/3d1d2cb34e9f0af31dfa82743c2b8c863b59724dbc358f578bbf93db1b195f78/nectar1.jpg" data-mid="249111884" border="0" src="https://freight.cargo.site/w/1000/i/3d1d2cb34e9f0af31dfa82743c2b8c863b59724dbc358f578bbf93db1b195f78/nectar1.jpg" /> Nectar Bloood, Diamond Skin part of Household Items, 202506.09.2025 - 28.09.2025Indecis artist-run, Bucharest curator: Teodora Talhoș I’ve been collecting bugs with my daughter all summer long.At first, they seemed strange and a little unsettling—so far removed from the human experience she’d known until now, or from the insects she’d only seen in illustrations and cartoons. There is so much danger in that small being. It is tiny, yet when you see it in focus, it makes you—the giant—feel small. And smooth. And somehow unnatural. Summer is now over and we’ve met many. We praise insects for their strength and beauty. We talk about them often, staring at their unreal faces, their delicate designs, and their millions of fangs. Maybe an ideal of being in the world, I tell my almost-40-year-old self and my almost-5-year-old daughter, is to be fierce as biology is fierce, beautiful in a wild and unpredictible way, effortlesly still, grounded in one’s own world. Whenever we find one, spotting it like a gem in the grass, we stop and gather around, offering it one of our fingers. If it agrees to be seen, we bring it closer, and our eyes perform an impossible trick—seeing it as though through a magnifying glass. Something you could simply take and play with, yet also might not dare to, because it just might bite your head off with its pretty mouth. And it really could. Look at it. It’s an interesting thought to have while inhabiting the core of your soft, uneven, tired self. There’s not an edge on my body I can name. They are all gathered inside me, like an insideout sea urchin. You might even forget what beauty used to mean to you—that impossible, superficial standard that clung to you for so long, for some reason. What even was it? All I see now is a microscopic creature of ravaging beauty. I want this. This thing I’m looking at—this gorgeous beast—has been lurking quietly in the tall grass, in a deep Amazonian shade, suckling peach nectar and eating translucent diamond worms, feeling the scent of the earth in the green sap it has for blood. I can’t help thinking about what it must be like to know nothing of the terrible weight of our silly human world. Lea Rasovszky, 2025&nbsp; https://learasovszky.fun/Sucking-at-Life-Through-a-Makeshift-Straw Thu, 04 Jun 2026 09:37:55 +0000 Lea Rasovszky https://learasovszky.fun/Sucking-at-Life-Through-a-Makeshift-Straw Anxi &amp; :(2025 - 2026,&nbsp; ceramic, installation, text <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d02a6b94c059ad00c7c081f9d70f26343fd65381ef4c23bcac03bd531ab801b3/violence-in-my-heart--47.jpg" data-mid="249110344" border="0" src="https://freight.cargo.site/w/1000/i/d02a6b94c059ad00c7c081f9d70f26343fd65381ef4c23bcac03bd531ab801b3/violence-in-my-heart--47.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c1b85a9dc8d1242f44172bbe7ee205c52cbea82eb516965f3b14a73538757c78/violence-in-my-heart--48.jpg" data-mid="249110345" border="0" src="https://freight.cargo.site/w/1000/i/c1b85a9dc8d1242f44172bbe7ee205c52cbea82eb516965f3b14a73538757c78/violence-in-my-heart--48.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b62ff64bc739ae427116af1a2ab7caca7318dd87ec401b6caefc2e2d59cfd523/violence-in-my-heart--49.jpg" data-mid="249110346" border="0" src="https://freight.cargo.site/w/1000/i/b62ff64bc739ae427116af1a2ab7caca7318dd87ec401b6caefc2e2d59cfd523/violence-in-my-heart--49.jpg" /><img width="5656" height="3771" width_o="5656" height_o="3771" data-src="https://freight.cargo.site/t/original/i/4f2db6f70115c8033a4be5f6aaa6ab77e1a4aa287b13e4b15ac2e99bef7fdb5a/violence-in-my-heart--50.jpg" data-mid="249110347" border="0" src="https://freight.cargo.site/w/1000/i/4f2db6f70115c8033a4be5f6aaa6ab77e1a4aa287b13e4b15ac2e99bef7fdb5a/violence-in-my-heart--50.jpg" /><img width="5512" height="3675" width_o="5512" height_o="3675" data-src="https://freight.cargo.site/t/original/i/7064119cc9ff7f3cf4a2d6d57e2e1d1c839faaf72ab92a51916d9a696db6d5f4/violence-in-my-heart--51.jpg" data-mid="249110348" border="0" src="https://freight.cargo.site/w/1000/i/7064119cc9ff7f3cf4a2d6d57e2e1d1c839faaf72ab92a51916d9a696db6d5f4/violence-in-my-heart--51.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ad5d6474d99bd8571bd70dc95338c04589ad6df52765c47d4d0edfec94e42d7d/violence-in-my-heart--52.jpg" data-mid="249110349" border="0" src="https://freight.cargo.site/w/1000/i/ad5d6474d99bd8571bd70dc95338c04589ad6df52765c47d4d0edfec94e42d7d/violence-in-my-heart--52.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ec13fa5a95dac036e3db8d4deb0c95f0a7e6a29d42becf3dc3bedc18b5779e00/violence-in-my-heart--54.jpg" data-mid="249110350" border="0" src="https://freight.cargo.site/w/1000/i/ec13fa5a95dac036e3db8d4deb0c95f0a7e6a29d42becf3dc3bedc18b5779e00/violence-in-my-heart--54.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fb1323e6e2bfb6df5c2f4723c61aaf03ee2f72acddfe42e7136d48a3a7caa27e/violence-in-my-heart--55.jpg" data-mid="249110342" border="0" src="https://freight.cargo.site/w/1000/i/fb1323e6e2bfb6df5c2f4723c61aaf03ee2f72acddfe42e7136d48a3a7caa27e/violence-in-my-heart--55.jpg" /> <img width="5172" height="3448" width_o="5172" height_o="3448" data-src="https://freight.cargo.site/t/original/i/53bfe9badfe7c6ebdc05b1903d5dfea6eaa0dbfe8f82dc55f24038ff6490225a/violence-in-my-heart--56.jpg" data-mid="249110343" border="0" src="https://freight.cargo.site/w/1000/i/53bfe9badfe7c6ebdc05b1903d5dfea6eaa0dbfe8f82dc55f24038ff6490225a/violence-in-my-heart--56.jpg" /> Sucking at Life Through a Makeshift Straw part of Violence In My Heart02.09.2025 - 30.09.2025Matka Satelit, Bucharest I SWEAR, I'VE BEEN LIVING ON THISEARTH FOR A WHILE AND IT STILL FEELSSTRANGE TO OWN A BODY,&nbsp; ITSSHAPE (SO OFTEN DISCONNECTED FROM THENARRATOR) IS A LIVING, BREATHING THING. THE BODY IS LIKE A LOYALPET YOU SOMETIMES FORGETTO LOVE. LEARNING TO LOVE YOURSELF ISLIKE SUCKING AT LIFE THROUGH AMAKESHIFT STRAW. ITS COMPLEXITYIS IMPRESSIVE, BUT IT MISSES THEPOINT ENTIRELY. THE BINDINGS AREHARDLY AIRTIGHT. HYDRATION ISNOT GOING TO HAPPEN WHAT MAKES US CHOOSE THEMORE COMPLICATED SOLUTION,THE ONE THAT INVOLVES A STEADYGENEROUS SLICE OF Self Punishment CAKE?COULD IT BE THATOUR THIRST IS TURNING THISLIQUID INTO AN ALLHEALING NECTAR? (JUST IN THOUGHT, NOACTUAL PROOF.) WHY DO WE FEEL THEWATER FLOWING THROUGHOUR BODIES IS LESSOF A MIRACLE? BECAUSE IT REALLY IS. Lea Rasovszky, 2025 https://learasovszky.fun/People-You-ve-Been-Before Thu, 20 Mar 2025 13:26:31 +0000 Lea Rasovszky https://learasovszky.fun/People-You-ve-Been-Before People You’ve Been Before2024,&nbsp; drawing, installation, ceramic object, dioramas, text, sound <img width="7002" height="4668" width_o="7002" height_o="4668" data-src="https://freight.cargo.site/t/original/i/9b2323b3a07b71786849ab273be7143575e630dd3d6e217d691cafb4fba44a19/1.-expozitia-1.jpg" data-mid="228544289" border="0" src="https://freight.cargo.site/w/1000/i/9b2323b3a07b71786849ab273be7143575e630dd3d6e217d691cafb4fba44a19/1.-expozitia-1.jpg" /><img width="3290" height="4724" width_o="3290" height_o="4724" data-src="https://freight.cargo.site/t/original/i/1c2774f124d8f3bac0546091e3c5bd9ab81da33f511afd58eb7d008b090751df/Protector--mixed-technique-watercolor--acrylic-and-pencil-on-paper--101-x-71-cm--2018.jpg" data-mid="228586611" border="0" 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data-src="https://freight.cargo.site/t/original/i/fc60b577039a67c12a43dff4e43fe430954b413905c7e6ddd7c2083e75223d33/Speranta-Muncescu-7-.jpg" data-mid="228544317" border="0" src="https://freight.cargo.site/w/1000/i/fc60b577039a67c12a43dff4e43fe430954b413905c7e6ddd7c2083e75223d33/Speranta-Muncescu-7-.jpg" /> People You’ve Been Before17.05.2024 - 10.08.2024 Mobius Gallery, Bucharest I look into people’s homes in the evening as I walk toward my own. I take advantage of the glow from chandeliers, cold neon lights, bedside lamps, the flickering TV—grasping at whatever I can, absorbing details with a kind of hunger. My mind races to map everything in that fraction of a second (really, it’s two or three, but it feels like less), to gather clues, trying desperately to make my glance seem casual—not the semi-desperate staring it actually is inside. I wonder what it’s like in there. How it smells. Where the secrets hide. What dreams are unfolding for those asleep. In other people’s homes, the air is different, laced with particles of an unknowable DNA—twisted, like a soul caught mid-meditation, or like a spider crushed under a boot by accident. Sometimes I wonder what it would be like to walk up, knock on a door, press the handle. The door would swing open with a short, startled cry, revealing something irreversible, raw. We’d shock each other—but also recognize one another. Then the door would close again, sealing that world away. We wouldn’t say a word, but we’d know: in another life, or maybe even this one, we could have been each other. —Lea Rasovszky, 2022 https://learasovszky.fun/Flowers-Growing-Out-Of-My-Chest Wed, 22 Jun 2022 15:55:17 +0000 Lea Rasovszky https://learasovszky.fun/Flowers-Growing-Out-Of-My-Chest Flowers Growing Out Of My Chest2021,&nbsp; drawing, ceramic object, installation, text <img width="2267" height="3086" width_o="2267" height_o="3086" data-src="https://freight.cargo.site/t/original/i/2640c171b869852e5d4c7d738db057f9054540e67ddbcfbcbeaf0b1158523ec1/BOI_-46-x-37-x-35-cm--2021-2.jpg" data-mid="146125166" border="0" src="https://freight.cargo.site/w/1000/i/2640c171b869852e5d4c7d738db057f9054540e67ddbcfbcbeaf0b1158523ec1/BOI_-46-x-37-x-35-cm--2021-2.jpg" /><img width="2459" height="3182" width_o="2459" height_o="3182" data-src="https://freight.cargo.site/t/original/i/5c81374a6fe5963b3427fd19a5a274e8ab22b1442ab6b55063fd82047e69e85b/DRQ_-52-x-32-x-30-cm--2021-1.jpg" data-mid="146125167" 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src="https://freight.cargo.site/w/1000/i/8afff4d9de9e38baf93ca94333c7b1cde98fd38d8d825dff03e56846f9e31dee/14.jpg" /><img width="3735" height="4979" width_o="3735" height_o="4979" data-src="https://freight.cargo.site/t/original/i/fe44310b5cccc8ff6f4d6732d690c976f5cd4086479f305eec6331b08548e88a/PC023319.jpg" data-mid="146123827" border="0" src="https://freight.cargo.site/w/1000/i/fe44310b5cccc8ff6f4d6732d690c976f5cd4086479f305eec6331b08548e88a/PC023319.jpg" /><img width="3888" height="5184" width_o="3888" height_o="5184" data-src="https://freight.cargo.site/t/original/i/758f50c304c72754e8497fca4149536befece770c26cd75ef34d2d250057ff3d/PC023320.jpg" data-mid="146123828" border="0" src="https://freight.cargo.site/w/1000/i/758f50c304c72754e8497fca4149536befece770c26cd75ef34d2d250057ff3d/PC023320.jpg" /><img width="4884" height="3663" width_o="4884" height_o="3663" data-src="https://freight.cargo.site/t/original/i/85be9eb26231d7d6c324ae958be52bb9420afc1156f76de1c43ed52c0ae4399c/PC023335.jpg" data-mid="146123829" border="0" src="https://freight.cargo.site/w/1000/i/85be9eb26231d7d6c324ae958be52bb9420afc1156f76de1c43ed52c0ae4399c/PC023335.jpg" /><img width="4993" height="3744" width_o="4993" height_o="3744" data-src="https://freight.cargo.site/t/original/i/55836a95c4030ab61621aa31e24c7b45dbfa665ab27b78a7c97d7e986f96f7ee/PC023360.jpg" data-mid="146123830" border="0" src="https://freight.cargo.site/w/1000/i/55836a95c4030ab61621aa31e24c7b45dbfa665ab27b78a7c97d7e986f96f7ee/PC023360.jpg" /><img width="5090" height="3818" width_o="5090" height_o="3818" data-src="https://freight.cargo.site/t/original/i/e574276d0a47b96089858539c447b6388c1733a9c2c089172a0ba33bdd7456ff/PC023372.jpg" data-mid="146123831" border="0" src="https://freight.cargo.site/w/1000/i/e574276d0a47b96089858539c447b6388c1733a9c2c089172a0ba33bdd7456ff/PC023372.jpg" /><img width="3702" height="4936" width_o="3702" height_o="4936" data-src="https://freight.cargo.site/t/original/i/1daec39ef116e49c172eb374fd2d14ecbdcfe33a9ed2a9f0da4d35903a5bd6cf/PC023395.jpg" data-mid="146123832" border="0" src="https://freight.cargo.site/w/1000/i/1daec39ef116e49c172eb374fd2d14ecbdcfe33a9ed2a9f0da4d35903a5bd6cf/PC023395.jpg" /> Flowers Growing Out Of My Chest26 Nov 2021 - 29 Jan 2022 Mobius Gallery, BucharestCurator: Stefania Dobrescu The exhibition showcases a series of new works through which the artist explores the dynamism of music on the relationship between mind and body, trying to define how individuals shift from a solitary condition into an unguided daze that metamorphoses oneself toward beings influenced by rhythm and sound. This energy is transmitted through an unseen sound passage that veils all the social discrepancies and allows individuals to connect and share the same vibration. Lea Rasovszky’s works celebrate the misfits, unglamorous people that do not align with the expected criteria, but face it with boldness, simply because the liberty of being yourself right in the middle of others is just too good to let it go. There are a few ways to describe the instant primal attachment that we can have with music. It moves and comforts us most wonderfully and purely. Flowers Growing Out of My Chest is a kingdom that sustains itself by developing people’s connection to one sound-euphoria ecosystem, a place that urges you to feel that moment when energy is oozing out from your entire body. Sooner or later, before you know it, flowers are growing out of your chest, heart and proximity, in this place that allows a universal language and no effort to use it, because without a word everyone is experiencing the same unifying feeling - the comfort of displaying who they really are or who they could be. It takes fierce will to let yourself be, and the taste of that is an explosion of colours, nuclear blue is coming out of your ears, your skin is turning bright pink, lavish green, pandemonium yellow, light is flashing through your eyes, and everything is taking the shape it should have been from the beginning. In the middle of this burst of colours, as all things are coming in synchrony with the rhythm, and as the windows can't hold in the disco lights, muffling the sound, there is a message of comfort. Here we can finally come at ease with the duality that makes us both kind and harsh, affectionate and uncaring, composed and scattered, in its all significance and insignificance. Lea’s humanoid figures, both on paper and ceramics, lay at the border of what we can and could see. They are the ones already enjoying the music, the ones that let the sound cover any doubt coming from within, yet they never changed - just become who they were from the start. They have no real or false self and no contradictions to wrestle with, the kind-of primordial and raw state allows them to explore a pathway of connecting to others, a need that can be forgotten or ignored but never replicated. You can look at them from a corner, through a strict dogmatic judgement or just with amusement, but there is no price high enough to be paid for the liberty of owning yourself. You may as well join the party and embrace the joy and hardship of self-discovery. https://learasovszky.fun/BRUIAJ Tue, 19 May 2020 14:02:39 +0000 Lea Rasovszky https://learasovszky.fun/BRUIAJ BRUIAJ2020, installation, drawing, object, text <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fdaf3b6469d4b12272faa28d730c310fe8c0314e7987aeacb89d7acb90ba3942/_INF3484.jpg" data-mid="71606877" border="0" src="https://freight.cargo.site/w/1000/i/fdaf3b6469d4b12272faa28d730c310fe8c0314e7987aeacb89d7acb90ba3942/_INF3484.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9e53adf2f18f0da863ceec108b386623c7b7d8b7d09bcb8ef58bc18372779f9d/_INF3554s.jpg" data-mid="71606702" border="0" src="https://freight.cargo.site/w/1000/i/9e53adf2f18f0da863ceec108b386623c7b7d8b7d09bcb8ef58bc18372779f9d/_INF3554s.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c159337d01d85d591c8e9565fba514796216bd5841d95269bc3b369a0627ac2b/_INF3496s.jpg" data-mid="71606914" border="0" src="https://freight.cargo.site/w/1000/i/c159337d01d85d591c8e9565fba514796216bd5841d95269bc3b369a0627ac2b/_INF3496s.jpg" /><img width="3857" height="5875" width_o="3857" height_o="5875" data-src="https://freight.cargo.site/t/original/i/4fdc7ff53ac4e1c050952449f8b330a9b3756ec22abf34a99e0c053de60158ad/_INF2272.jpg" data-mid="71607029" border="0" src="https://freight.cargo.site/w/1000/i/4fdc7ff53ac4e1c050952449f8b330a9b3756ec22abf34a99e0c053de60158ad/_INF2272.jpg" /><img width="3593" height="5616" width_o="3593" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e3c2ec12348896b21ee1a665b763d4a784af082c89afa152d1b51cf3fb4c6ef6/_INF20.jpg" data-mid="71607053" border="0" src="https://freight.cargo.site/w/1000/i/e3c2ec12348896b21ee1a665b763d4a784af082c89afa152d1b51cf3fb4c6ef6/_INF20.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3dd34740d8f2d8aef529179883aba419273d957287e16324190f4402fae5199c/_INF3440.jpg" data-mid="71607287" border="0" src="https://freight.cargo.site/w/1000/i/3dd34740d8f2d8aef529179883aba419273d957287e16324190f4402fae5199c/_INF3440.jpg" /><img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/73185f242f44fa63573883252bba6b89e61f240642bea75eed2e3cc31e0c8e4c/20_INF3360.jpg" data-mid="71647434" border="0" src="https://freight.cargo.site/w/1000/i/73185f242f44fa63573883252bba6b89e61f240642bea75eed2e3cc31e0c8e4c/20_INF3360.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/8560eba48b86689a1ac3aceee017eefb8a8de7ae0eb104a438f9d604bcab81bc/_INF3436s.jpg" data-mid="71607266" border="0" src="https://freight.cargo.site/w/1000/i/8560eba48b86689a1ac3aceee017eefb8a8de7ae0eb104a438f9d604bcab81bc/_INF3436s.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6db37d432836a430f3d040feeaf925f619f8c68c3b63187422c65568d763de4e/_INF3589.jpg" data-mid="71607299" border="0" src="https://freight.cargo.site/w/1000/i/6db37d432836a430f3d040feeaf925f619f8c68c3b63187422c65568d763de4e/_INF3589.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ef6ff365ec65d541caa5f1e7f28aa6cdfe61b9442955ba3de931f566cad087a3/_INF2430s.jpg" data-mid="71607619" border="0" src="https://freight.cargo.site/w/1000/i/ef6ff365ec65d541caa5f1e7f28aa6cdfe61b9442955ba3de931f566cad087a3/_INF2430s.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d9e30b0639203b91b9c669cd9bed41f00ee16afe5bca1b898be2b6b69e69670e/_INF2348s.jpg" data-mid="71615235" border="0" src="https://freight.cargo.site/w/1000/i/d9e30b0639203b91b9c669cd9bed41f00ee16afe5bca1b898be2b6b69e69670e/_INF2348s.jpg" /><img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a65edf38130f505dadad44800bab7d905602aedb9a7f8d4b9bf5c35eb14d7891/_INF2351s.jpg" data-mid="71615236" border="0" src="https://freight.cargo.site/w/1000/i/a65edf38130f505dadad44800bab7d905602aedb9a7f8d4b9bf5c35eb14d7891/_INF2351s.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e28d5fe98c0e0ed9d740e278bdde13301db52b47b71a89ff75007808cd8791ad/_INF3455.jpg" data-mid="71615383" border="0" src="https://freight.cargo.site/w/1000/i/e28d5fe98c0e0ed9d740e278bdde13301db52b47b71a89ff75007808cd8791ad/_INF3455.jpg" /> BRUIAJMichele Bressan, Lea Rasovszky*, Larisa Sitar 27.02.2020 - 15.04.2020 Art Encounters Foundation, Timisoara, RoCurator: Diana Marincu The exhibition BRUIAJ, the third episode in the series of collaborations between the artists Michele Bressan, Lea Rasovsky, and Larisa Sitar, bears witness to a generation solidarity that sets the frame for a dialogue developed naturally, spanning a long period of time. BRUIAJ focuses on exploring the topography of memory unfolding raw images, atavistic and enigmatic visions of personal and collective histories, never processed till their deepest layer. Residues lurking in these folds disturb even the clearest of the stories. This disturbance forces the path of visual experience to multiple detours, diversions and surprises stemming from themes such as the aesthetics of the private space, the everyday eeriness, funeral rites, military arsenal, ruin, and disappearance. On the one hand, the artworks of the three artists bring to the fore the innocence of discovering, with genuine curiosity, the inner and outer world, on the other, they let the door open for fiction to set in and build its own version of reality, “enhanced” by 3D modelling or excessive adornment. In between irony and melancholy, the works reflect the artists’ concern for the relationship between a false antiquity necessary for embedding in collective mythologies, including those of the artistic act, and the updated references to personal landmarks, describing their attitude in relation to the passing of time and to history. The “mess” the artists create influence the overall vibe, sometimes intimate and familiar, sometimes harsh and abrasive, of a space outlined by drawings, installations, bas-relief, and in-situ interventions. The positions in which we meet again, Michele Bressan, Lea Rasovsky, and Larisa Sitar derive from a core of already existing recent works, but also from new productions, specially made for this exhibition. * Projects in order of appearence : How Can You Think Of Life Or Death While Standing In A field Of Flowers,&nbsp; God As&nbsp; a Boy, The Impossibility of Counting That Which is Numberless,&nbsp; Everything I Left Behind, surrounded by vrious drawings,&nbsp; Ode To My Left Hand, Nightmare at the Drawing Olympics I,&nbsp; Nightmare at the Drawing Olympics II, Criers. https://learasovszky.fun/Ode-To-My-Left-Hand Tue, 19 May 2020 15:11:30 +0000 Lea Rasovszky https://learasovszky.fun/Ode-To-My-Left-Hand Ode To My Left Hand2020, installation, drawing, object, text <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6db37d432836a430f3d040feeaf925f619f8c68c3b63187422c65568d763de4e/_INF3589.jpg" data-mid="71616941" border="0" src="https://freight.cargo.site/w/1000/i/6db37d432836a430f3d040feeaf925f619f8c68c3b63187422c65568d763de4e/_INF3589.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ef6ff365ec65d541caa5f1e7f28aa6cdfe61b9442955ba3de931f566cad087a3/_INF2430s.jpg" data-mid="71616943" border="0" src="https://freight.cargo.site/w/1000/i/ef6ff365ec65d541caa5f1e7f28aa6cdfe61b9442955ba3de931f566cad087a3/_INF2430s.jpg" /><img width="2000" height="1311" width_o="2000" height_o="1311" data-src="https://freight.cargo.site/t/original/i/cdc0a9903cc79138b3bec08f7af4c0b2ecc2d016aeeb91d88d0a08c2d4dd586a/_INF2428s.jpg" data-mid="71617172" border="0" src="https://freight.cargo.site/w/1000/i/cdc0a9903cc79138b3bec08f7af4c0b2ecc2d016aeeb91d88d0a08c2d4dd586a/_INF2428s.jpg" /><img width="5831" height="3887" width_o="5831" height_o="3887" data-src="https://freight.cargo.site/t/original/i/7a4a91ef473ce59e6eb9245987b8336510c910bbc88c72ecddffdba531984653/_INF2422.jpg" data-mid="71617126" border="0" src="https://freight.cargo.site/w/1000/i/7a4a91ef473ce59e6eb9245987b8336510c910bbc88c72ecddffdba531984653/_INF2422.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7d134fe8a178d4d9233ee7079f3f077c82ac2123660cc0d737df69a07f5ccd07/_INF2425s.jpg" data-mid="71617412" border="0" src="https://freight.cargo.site/w/1000/i/7d134fe8a178d4d9233ee7079f3f077c82ac2123660cc0d737df69a07f5ccd07/_INF2425s.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c0c207306ef9497d4caedaa492fbde90f46a88dee279d7425e5469a6711937df/_INF3627s.jpg" data-mid="71617791" border="0" src="https://freight.cargo.site/w/1000/i/c0c207306ef9497d4caedaa492fbde90f46a88dee279d7425e5469a6711937df/_INF3627s.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7eb84ceb4eb889451de07291cff140a264a5135faff3440560aa1e4036637d12/_INF3580s.jpg" data-mid="71617431" border="0" src="https://freight.cargo.site/w/1000/i/7eb84ceb4eb889451de07291cff140a264a5135faff3440560aa1e4036637d12/_INF3580s.jpg" /> Ode To My Left Hand(part of BRUIAJ, 2020, Art Encounters Foundation, curator Diana Marincu) This project is about the impossibility of doing things wrong if staying on a predictable course. Starting with 2016, I switched from my right hand, trained in fine arts, predictable, trustworthy, to my left hand, never used, wild, incapable of doing things the way I always have, a force with a mind of its own. I was looking to sabotage my usual way of doing things and to set free a more savage side that I had no control over. An ongoing series of drawings started to emerge, am ever growing series, that is an undercurrent to my main projects. These drawing represent me at my purest and unknown self. It is exactly what it is, it roams freely, it is ill-mannered and unapologetic. Lea Rasovszky “The Ode to My Left Hand project focuses on the novel directions that can be opened through self-imposed restrictions, creating uncomfortable situations, overcoming challenges with potentially unexpected results. For Lea Rasovszky, this is a way of severing the invisible ties with the habits instilled during her arts education over a long period of time, a way for the artist to forcefully repress that which habit does not allow you to naturally repress, in order to allow the untrained and uncertain hand to surprise you.“ Maria Orosan-Telea&nbsp;